substantive changes made to the pipework. The organ gallery (which prior to 1969 had only been deep enough for the organ bench and pedal board) was expanded to accommodate the choir.By the 1980s the modernized parts of the organ were having significant difficulties with electrical contact and pneumatic malfunctions. The Music Committee contracted David E. Wallace, Inc. of Portland, Maine to return the organ to its former configuration and to re-trackerize it. A new console was designed and built, using stop knobs, labels and keyboards from Hutchings, Plaisteds opus 81, which had been installed in Dover, NH. A 30-note concave-radiating pedal board was installed in place of the original 27-note flat pedal board and 3 new pipes were added to each of the pedal stops. The pipework remained unchanged. The 27 façade pipes were re-stenciled by Brunswick artist Hati Modr using the original patterns on the pipes and colors to compliment those in the sanctuary. Gold leaf was reapplied where gold was originally used.

In the early 1990s the choir loft was further enlarged to accommodate the growing choir. David Wallace moved the console even further from the pipes and extended the trackers.In April 2003, the Andover Organ Company of Methuen, Massachusetts was engaged to thoroughly restore the organ. The work included completely restoring the wind chests and replacing the cracked and split chest tables with new voidless plywood tables to better withstand constant heating. A new console coupling mechanism was built along with new mechanical key and stop action. The pipes were cleaned, repaired and checked for proper speech and volume. A few tonal changes were made so that the organ could better serve the needs of todays worship service. The 4 Violina and 2 Flautina in the Swell were made larger in scale, so that the pipes could speak louder and with a quality of tone that would give more support to the singing. Likewise, the Pedal 8 Violoncello was made larger to give the bass line a stronger foundation. A two-rank Cornet, which provides a fine solo sound, was added to the Swell. The blower was moved to the space behind the organ pipe chamber to reduce its noise and built a larger windtrunk from the blower to the organ in order to fully wind the instrument. The original voicing style of the Hutchings, Plaisted Company has been retained. The organ now speaks with new-found vigor much the way it did in 1883.